Footnotes
She found him in a wreck
or was it washed up on rocks?
Nobody of nowhere, naught
but to be hers. What tempests
deliver, chances. No stranger
to risk, this chieftain of ships.
Happiness from a far flung place,
held fast in the face of other plans.
Slain by a lesser contemporary—
not even her nation’s mortal enemy—
and women, we don’t owe anything
to anybody.
She marked her tragedy
with several bodies. History
records these. The ocean
plays for keeps.
She held plural, actually,
I think you know of whom I speak.
Two husbands and seven children down,
the toll on a woman not afforded a crown.
The longer you live the muddier your choices,
perhaps made simpler because she lost him.
No Kings, No Masters
Always the best lines
for villains. Mind
who’s doin’ the writin’.
This witch said love
is what they give girls
to play with
instead of power. Admit,
she’s not wrong though.
Thing is, we’re the source
of both. What we’re owed.
No one sits upon that throne,
because a woman’s work is never done.
Our seat is empty but not open,
least of all for an ungrateful son.
Nothin’ good comes
forgettin’ where you came from.
Whose bed you warm.
This notion of The One
necessitates equal ground,
and that’s tricky.
Any creature of complexity or
eccentricity begs a particular
shape of mate. Honesty.
Faith in an endgame
worth the wait.
For whom you need not
translate.
Ubuntu means
I cannot be human
until you reflect my humanity
back at me.
If you met the Goddess today,
what would she see?
Conquerable Characters
There’s four pillars to a good time:
food, fightin’, fuckin’, and friendship.
Foundation of every house ever built.
Don’t matter how you dress it up.
I wanna hunt and kill the kobold horde,
then I wanna woo the forlorn lord,
he’s a widower. Kobolds, remember.
Come here baby, I’ll make it better.
Then I’m gonna go to the tavern
and make a bunch of friends there,
or knuckles up again,
the night is young.
I’ll go home, arms full
with whatever’s good I’ve found
and he’s still in his study
with a wrinkled shirt and that
little frown.
Forgets to eat if I’m not around.
I know what to do with that mouth.
Here’s where most people say,
I’m just too manly, how
could any of these poor boys compete,
as if it ain’t law you don’t ask for a softie
unless you give Grace O’Malley.
Unseen
The female of a species
hides in plain sight.
She is much, much bigger
on the inside.
You wouldn’t realize.
Density is the very mechanism
of Time. What breaks you
is what allows you a life.
Preachin’ immortality
is an unforgivable slight.
A galaxy’s choreography,
every orchestra chair in its symphony,
spins the whims of a singularity
only visible via debris.
My high notes nurse nebulous,
my low notes swing on Tartarus,
talkin’ is tirin’ when you’re all chest,
surrounded by flutter, twitter, and soar,
and I stab at those like…
lipstick on an alligator.
Defyin’ drought one swamp paw
after the other, a solitary reservoir
of words.
Event Horizon
Grit jammed my playlist
for twenty years.
If it was too soft, slow, or folksy
it sailed past these ears.
This heart needed tempo
to keep me alive.
A birth defect internalized.
You march on the stomach,
won’t fill it with sad—
well, a workin’ class woman in hell can’t—
fuck it up with a bassline, drop
real low, hit me
with a death growl. Spill
siren song over shrapnel.
Tectonic technical.
Maybe someday somethin’
sweet enough to put this knife down.
A lullaby long and sensual.
The best sleep I’ve ever known
was a piece by my estranged brother,
eyes closed in a palette of embers.
Defrag
When you’re a ghost in the walls
linin’ the chambers of others’
TV lobotomies
you hear things.
Happen past your reflection and think,
oh that’s my body
in a warped door frame. Who is she?
Been clutchin’ a telephone string
all these nights askin’ why, why,
hopin’ for someone at the end of the line,
and maybe they’ve tied theirs up in knots,
but I’ve a firm grasp on mine.
I can’t relate to any of ’em,
their clumsy digits like toddlers
on a xylophone. I parse data,
finest fleece from a sea of wrong sounds,
in the weavin’ I become. A spider
doesn’t think herself an architect.
She is the web.
So it holds,
however she is, is how she’s meant,
and if she suffers her story to be told,
then someone must need to hear it.
X
Liftin’ a curse
ain’t just about lockin’ lips.
It’s how we got here, hurt
informs medicine. Receptive
roots must recognize
my breath.
An invitation,
the invocation of The Kiss.
What power it has
is the power you give. Magic
is the space between belief
and what exists. The artist
whose gaze you see yourself in.
A temporal flash at the end,
I pull this thread in my hand,
inverse unravelin’
until there’s a direct line
from you to me.
Suddenly
you can look back
at all the places pain
shaped you and find
my love instead.

Leave a comment